worthallthis (
worthallthis) wrote in
pennysheets2021-01-25 10:33 pm
Entry tags:
Vampire cult nonsense (PSL for Natasha)
It had taken her a while to get far enough into the ranks of this... organization. They have half a dozen names for themselves, depending on where one gains entrance, and most people don't ever go beyond those half-dozen entrance groups. Natasha is good, but these people are paranoid, and death cults are not a thing that you get access to immediately.
But because she is good, here she is finally, fresh from the ritual bath and dressed in undyed cotton, barefoot, ready for her first ritual. She's the only new one today, but there are other junior members walking in their two lines from the baths to the ritual room and its five sealed coffins. Natasha has yet to be told what's in them, only that they are very powerful.
"Which one is it today?" the young man who'd introduced himself as Stolen Moon (junior members tend to pick very pretentious ritual names) asks, quietly, of the senior member walking in front of him, who was known by the (slightly less pretentious) name Fox.
"You'll see when we get there," Fox says.
"Don't ask questions in front of the initiate," adds the senior at the head of the second column, an older woman called Hawk.
There are already three senior members waiting inside: Raven, Star, and Shimmer. Fox and Hawk motion for everyone to take their places, in an outward-facing ring inside the circle of coffins, and then join them, each standing between two of the coffins.
But because she is good, here she is finally, fresh from the ritual bath and dressed in undyed cotton, barefoot, ready for her first ritual. She's the only new one today, but there are other junior members walking in their two lines from the baths to the ritual room and its five sealed coffins. Natasha has yet to be told what's in them, only that they are very powerful.
"Which one is it today?" the young man who'd introduced himself as Stolen Moon (junior members tend to pick very pretentious ritual names) asks, quietly, of the senior member walking in front of him, who was known by the (slightly less pretentious) name Fox.
"You'll see when we get there," Fox says.
"Don't ask questions in front of the initiate," adds the senior at the head of the second column, an older woman called Hawk.
There are already three senior members waiting inside: Raven, Star, and Shimmer. Fox and Hawk motion for everyone to take their places, in an outward-facing ring inside the circle of coffins, and then join them, each standing between two of the coffins.

no subject
Outwardly, there's a sharp indrawn breath and tensing of her muscles, but she fights the urge to jerk away - it would only do more damage, lay her wrist open, possibly leave her down a hand for the near future. She may never have seen a vampire bite before, but she's seen bites from other creatures with sharp teeth, and they're never as neat as people tend to assume. She turns her head aside, eyes almost closed, studying the circle from beneath her lashes. Anticipation, relief, jaded boredom...she can guess the experience of the cultists from where on that spectrum they fall.
She's starting to worry as he pulls away, and she doesn't have to feign her slight stumble as she pulls her arm to her chest, fingers clamped tight around the wound in lieu of bandages. The dizziness recedes, though it doesn't quite vanish, won't until she's had a good meal and enough fluids to begin replacing volume.
Which won't happen right away. She needs to find out what he's been tasked with; whatever it is, it can't be anything benign. Benign wouldn't need his sort of power, or the control they've exerted.
no subject
"You did good," he murmurs, and Raven shoots them a warning look, presumably for speaking at all.
"The ritual is concluded," Fox intones. "Until the death is complete and our instrument returns, you may rest, children."
Shimmer leads the junior members out again, back they way they came towards the baths, but the hall continues in the opposite direction, as well, and there's an open door with light spilling into the corridor, and the sound of metal fingers collecting... something... from a stone table. Just loud enough to hear if one strains.
Out from under Raven and Hawk's watchful eye, Stolen Moon dares speak again. He's trying to keep an arm around Natasha for her support, and also because she's gorgeous, okay, and he's like 22. "Wow, the last time they let that guy out, he made a mess of the new guy. You are really lucky."
no subject
"I was born under a lucky star," she says, and she doesn't have to entirely feign the edge of unease in her quiet laugh. "Do we have an infirmary? I think I want to get this wrist bandaged up before I lose any more blood."
(That, at least, is true.)
no subject
Back over next to where where the vampire is still gearing up. Lucky? Maybe. More like it's prudent planning to put the infirmary next to where they keep the violent monsters.
no subject
She hesitates a moment, then nods carefully. "That would be great. Thanks. You won't get in trouble for it, right?"
She cares far less than would be kind. He's still the closest thing she has to an ally here.
no subject
They have to pass the vampire's prep room, and when they do, he's looking over his shoulder at them, as if he heard them coming, though the lower half of his face is covered by a black cloth mask. A lot of him is covered in black and gray, now, all the clothes lightweight and matte, clearly a stealth suit, but one meant less for protection and more simply for silence and invisibility.
Stolen Moon twitches, but then pulls up a bright (if nervous) smile and... waves at the vampire who he's seen tear people apart.
no subject
Then again, they can just feed anyone they catch spying to vampires. Apparently.
"Good to know," she says, with a quiet huff of something that sounds like it would probably be laughter if she weren't light-headed.
She sees the door to the prep room standing open - choice, or compulsion? do they afford their weapons any privacy at all? - and is unsurprised to see the vampire watching them. They're taking no pains to be silent, and even aside from whatever enhancements he might have, his would be a role that would require alertness.
The suit is...familiar, in general form if not in any specifics, and specialized enough to take as confirmation that someone in the organization has some serious ties - bought and paid for, probably, but notable nonetheless.
She doesn't wave, and resists the urge to jab an elbow into Stolen Moon's side. It's harder to resist the urge to roll her eyes in commiseration with the vampire, and she settles for a careful nod of acknowledgment.
no subject
Stolen Moon gets her settled in on one of the infirmary beds next door, and bustles about getting her bandages and disinfectant. The wounds aren't big, so stitches aren't necessary. He readily answers any questions she has. He's seen two other of the vampires be woken up, and only one of those two got the chant, the other just climbed out and greeted the cultists pleasantly. The other chant-receiver was hardly intimidating at all, more timid-seeming. He's been fed off of before, but not by this one. He doesn't know what the vampires are sent out to do exactly, but given the cult's purpose of cleansing the world of evil, he's assuming it's murder-related.
It's also clear that, despite being relatively friendly and even a little charming in his own way, Stolen Moon is a true believer. He's not stupid, either, he's just... fanatical about creating a paradise free of abuse and hate, even if they have to use some nasty tools to do it. Those tools are in the hands of the righteous, so surely it's fine, right?
"We'll be expected to sleep here tonight," he says as he helps Natasha off the bed again. "They might not want us there when he comes back, but they might. We can get you some juice and dinner, before we have to turn in, or you're going to feel awful in the morning."
no subject
"Do they always keep us here after one of the vampires has been out?"
no subject
This is a cult, not a job. They're still expected to work, so their money can support the cause.
He tucks her hand into the crook of his arm, clearly hopeful that she'll stay close as they head back out into the hall again. The vampire's prep room is empty and dark, now, the vampire himself long gone. "Do you want to go to the kitchen, or back to your room? I can bring you something if you want to rest."
no subject
"I'll come with you," she says, because that will at least allow her to see a little more of the complex, if not the most useful parts. "I'm pretty sure I'll be out cold about five seconds after I stop moving."
no subject
The complex isn't really very big, in the end. There's three wings off the entrance hall, which is the only room with any windows at all. There's the vampire's wing off to the right with the infirmary, coffins, the prep room full of weapons, and (perhaps incongruously) a small library. The dormitories and baths are off to the let, where the initiates had gotten dressed, and where a couple higher-ranking members have offices. The a third wing goes straight back, with a couple conference and meeting rooms, a big dining room, and a kitchen.
Stolen Moon takes her straight back to the kitchen. All the doors on the way are shut tight, and Stolen Moon holds a finger to his lips as they pass. Natasha might overhear muffled voices coming from one of the conference rooms: Raven, Fox, and Hawk. Raven sounds irritated, Fox still thoughtful, and Hawk impatient.
no subject
The warning to silence buys her a little time to consider how to ask after the vampires' patterns in a way that won't sound like anything more than curiosity and perhaps a little bit of unease over being expected to provide sustenance again. The voices catch her attention, and she strains to hear anything of note as they pass, regretting the fact that a sudden spell of dizziness that forces a pause would probably be suspicious.
no subject
They can make out a couple words as they pass, Raven saying, "--should check the spell."
Fox puts in slowly, "Maybe."
Hawk replies, "No, we would know if--" and then they're past the room, the voices fading to muffled sounds again.
Stolen Moon doesn't speak again until they hit the kitchen, and then it's to brightly say, "Have a seat, then, Snakeroot. And let me know if there's anything you absolutely hate, or are allergic too."
no subject
She's silent for a moment before venturing quietly, carefully, "That sounded bad back there."
Privately, she's not sure it did. On the one hand, if the magic binding the vampires could be severed, there would be vampires on the loose. On the other hand, on the loose means not under the control of a death cult.
no subject
He turns back with a little smile, and a plate with a mundane ham and cheese sandwich for her. "Though maybe we lock our dorm room doors tonight, just in case. Shove a chair under the handle." Like that will do a lot of good against a vampire with a clockwork arm. From his expression, he knows it.
no subject
"At least that would buy us some warning." A brief pause. "They don't do bed checks, do they?"
She wouldn't, she thinks, put it past them to want to be sure all the good little murderers are safely tucked away where they were left. It wouldn't even be bad practice. Aggravating, but not bad.
no subject
So, if she feels up to snooping, she can certainly give it a go-- though that's not what Stolen Moon is hoping for. Clearly.
no subject
"Good to know," she says.
She doesn't linger long over the food, though she indulges in a little flirtatious banter to keep up the appearance of friendliness. Eventually, though, it comes time to depart for their quarters, and while she's exaggerating her exhaustion a little, there's certainly a weariness that has sunk into her bones.
no subject
"Sleep well, guess I'll see you in the morning," he says, lingering a little, but not beyond polite hope that she might ask him to stay. "We'll be up before dawn, for the vampire's return, so be ready for that."
no subject
"Good night," she says, with a slightly-rueful edge to her voice that is utterly feigned. "Don't let the vampires bite."
Once he's gone, she takes the time to examine the room, searching it inch by inch for surveillance devices, then washes her face in the basin, waiting until the rooms fall quiet around her and she's fairly certain most of the others are abed. Her temples throb faintly, trying to remind her that bed is where she should be as well. She ignores them.
no subject
"Fine, fine," Raven mutters back, and then they're past.
Another ten minutes from that, and all is silent.
no subject
It's a risk - but she doubts much information is kept in the conference rooms, where anyone might poke their heads in, and the library seems far too easy.
no subject
There are higher-tech and more protective gear than the one from earlier put on, with sturdier masks, goggles, and even a full suit of very thick material in black-out black, suggesting attempts at letting them out during the day. Not all of it will fit the one she met: there's some in the staging room closet to fit a small, slender man; a tall but lightly built woman; and a short, broad man. That's four vampires total, despite there being five coffins.
Depending on how long she lingers, she might find she gets some company.
no subject
She's aware of the night ticking steadily onward, of the risk of getting caught at this juncture. Eventually she determines that there's nothing more to be learned here, and moves on toward the library after all.
It may not be likely to hold answers, but it might tell her a little more about the people she's dealing with, and what they find important.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...